2026
Limited Print Release
Prints of these 8 paintings will be available until the 16th November. The quantity of each print ordered during this time will determine the limited number. For example, if 20 are ordered, the prints will be numbered /20. All signed and numbered on the front on the small border. Each archival quality Fine Art Giclée print is available in 3 sizes, printed on 310gsm Hahnemühle German Etching Paper. To see more details click on the paintings below.
Archival quality Fine Art Giclée on 310gsm Hahnemühle German Etching Paper - which has the exact same make-up as the original is painted on - 100% α-cellulose. Acid- and lignin-free. There is a visible structure to the paper which gives a textured look and feel close to the original.
It is certified ISO 9706. Which means it conforms to museum quality for the highest age resistance.
I scan the original (not photograph) so it is as accurate as can be. Including all the oily lumps and strokes of the originals. And then if it is needed I colour-correct on a colour-accurate studio monitor with the original in front of me.
Small - 210 × 279 mm
Medium - 297 × 398 mm
Large - 600 × 796 mm
Prints have a small border, 1cm on the small and 2cm on the medium and large sizes.
If you are purchasing from outside the UK you are responsible for local taxes and duties.
If you are unsure if there will be a cost, contact me and I will help.
Archival quality Fine Art Giclée on 310gsm Hahnemühle German Etching Paper - which has the exact same make-up as the original is painted on - 100% α-cellulose. Acid- and lignin-free. There is a visible structure to the paper which gives a textured look and feel close to the original.
It is certified ISO 9706. Which means it conforms to museum quality for the highest age resistance.
I scan the original (not photograph) so it is as accurate as can be. Including all the oily lumps and strokes of the originals. And then if it is needed I colour-correct on a colour-accurate studio monitor with the original in front of me.
Small - 210 × 279 mm
Medium - 297 × 398 mm
Large - 600 × 796 mm
Prints have a small border, 1cm on the small and 2cm on the medium and large sizes.
If you are purchasing from outside the UK you are responsible for local taxes and duties.
If you are unsure if there will be a cost, contact me and I will help.
Archival quality Fine Art Giclée on 310gsm Hahnemühle German Etching Paper - which has the exact same make-up as the original is painted on - 100% α-cellulose. Acid- and lignin-free. There is a visible structure to the paper which gives a textured look and feel close to the original.
It is certified ISO 9706. Which means it conforms to museum quality for the highest age resistance.
I scan the original (not photograph) so it is as accurate as can be. Including all the oily lumps and strokes of the originals. And then if it is needed I colour-correct on a colour-accurate studio monitor with the original in front of me.
Small - 210 × 279 mm
Medium - 297 × 398 mm
Large - 600 × 796 mm
Prints have a small border, 1cm on the small and 2cm on the medium and large sizes.
If you are purchasing from outside the UK you are responsible for local taxes and duties.
If you are unsure if there will be a cost, contact me and I will help.
Archival quality Fine Art Giclée on 310gsm Hahnemühle German Etching Paper - which has the exact same make-up as the original is painted on - 100% α-cellulose. Acid- and lignin-free. There is a visible structure to the paper which gives a textured look and feel close to the original.
It is certified ISO 9706. Which means it conforms to museum quality for the highest age resistance.
I scan the original (not photograph) so it is as accurate as can be. Including all the oily lumps and strokes of the originals. And then if it is needed I colour-correct on a colour-accurate studio monitor with the original in front of me.
Small - 210 × 279 mm
Medium - 297 × 398 mm
Large - 600 × 796 mm
Prints have a small border, 1cm on the small and 2cm on the medium and large sizes.
If you are purchasing from outside the UK you are responsible for local taxes and duties.
If you are unsure if there will be a cost, contact me and I will help.
Archival quality Fine Art Giclée on 310gsm Hahnemühle German Etching Paper - which has the exact same make-up as the original is painted on - 100% α-cellulose. Acid- and lignin-free. There is a visible structure to the paper which gives a textured look and feel close to the original.
It is certified ISO 9706. Which means it conforms to museum quality for the highest age resistance.
I scan the original (not photograph) so it is as accurate as can be. Including all the oily lumps and strokes of the originals. And then if it is needed I colour-correct on a colour-accurate studio monitor with the original in front of me.
Small - 210 × 279 mm
Medium - 297 × 398 mm
Large - 600 × 796 mm
Prints have a small border, 1cm on the small and 2cm on the medium and large sizes.
If you are purchasing from outside the UK you are responsible for local taxes and duties.
If you are unsure if there will be a cost, contact me and I will help.
Archival quality Fine Art Giclée on 310gsm Hahnemühle German Etching Paper - which has the exact same make-up as the original is painted on - 100% α-cellulose. Acid- and lignin-free. There is a visible structure to the paper which gives a textured look and feel close to the original.
It is certified ISO 9706. Which means it conforms to museum quality for the highest age resistance.
I scan the original (not photograph) so it is as accurate as can be. Including all the oily lumps and strokes of the originals. And then if it is needed I colour-correct on a colour-accurate studio monitor with the original in front of me.
Small - 210 × 279 mm (A4)
Medium - 300 × 424 mm (A3)
Large - 500 × 700 mm (50×70cm)
Prints have a small border, 1cm on the small and 2cm on the medium and large sizes.
If you are purchasing from outside the UK you are responsible for local taxes and duties.
If you are unsure if there will be a cost, contact me and I will help.
Archival quality Fine Art Giclée on 310gsm Hahnemühle German Etching Paper - which has the exact same make-up as the original is painted on - 100% α-cellulose. Acid- and lignin-free. There is a visible structure to the paper which gives a textured look and feel close to the original.
It is certified ISO 9706. Which means it conforms to museum quality for the highest age resistance.
I scan the original (not photograph) so it is as accurate as can be. Including all the oily lumps and strokes of the originals. And then if it is needed I colour-correct on a colour-accurate studio monitor with the original in front of me.
Small - 210 × 279 mm
Medium - 297 × 398 mm
Large - 600 × 796 mm
Prints have a small border, 1cm on the small and 2cm on the medium and large sizes.
If you are purchasing from outside the UK you are responsible for local taxes and duties.
If you are unsure if there will be a cost, contact me and I will help.
Archival quality Fine Art Giclée on 310gsm Hahnemühle German Etching Paper - which has the exact same make-up as the original is painted on - 100% α-cellulose. Acid- and lignin-free. There is a visible structure to the paper which gives a textured look and feel close to the original.
It is certified ISO 9706. Which means it conforms to museum quality for the highest age resistance.
I scan the original (not photograph) so it is as accurate as can be. Including all the oily lumps and strokes of the originals. And then if it is needed I colour-correct on a colour-accurate studio monitor with the original in front of me.
Small - 210 × 279 mm (A4)
Medium - 300 × 424 mm (A3)
Large - 500 × 700 mm (50×70cm)
Prints have a small border, 1cm on the small and 2cm on the medium and large sizes.
If you are purchasing from outside the UK you are responsible for local taxes and duties.
If you are unsure if there will be a cost, contact me and I will help.
Studio Sale
These original paintings are on sale during this period. See each listing for size and material details, all securely shipped.
Caught in the Web
Oil & Oil Pastel on Paper.
Size: 70 W x 100 H cm
The story of this work-
I witnessed a bee caught in a web, wings tangled. Their bee friend pulling them, trying to free them. The spider as sat watching. The scene touched me, I think I placed my brother and I as the bees. I’m feeling I’ll probably revisit this scene.
Signed on the back.
Acid-free 400gsm paper. It is made from high-grade cellulose and is wood free. This paper is acid-free, with archival permanence.
Securely Shipped.
All shipping is tracked and insured.
Fish Counter Music
Oil & Oil Pastel on Paper.
Size: 70 W x 100 H cm
The story of this work-
My bedroom was in an Icelandic supermarket. My drawers were next to the fish counter. M along with people from school and college were there. I had all my guitars and stuff laid out to make music with them. M is playing drums on a keyboard, changing the pitch of the samples. Everyone else is still downstairs. She suggests we go make music down there, she goes to see if they want to. There’s a spider with a green backpack on, that Harrison has made and fitted to it. I let it crawl around. I go to find M. I ask her if everyone wants to jam, she said there’s no time especially if everyone wants to go to Scotland. I go pack all my stuff into the overly packed drawers. There’s a woman behind the counter who’s saying things I can’t understand about moving things in the shelves back to their original spot. I manage to shove everything in and go stand by the car and wait for everyone.
Signed on the back.
Acid-free 400gsm paper. It is made from high-grade cellulose and is wood free. This paper is acid-free, with archival permanence.
Shipped in a secure wooden crate.
All shipping is tracked and insured.
We’re Impressed With Her Intuitiveness
Oil & Oil Pastel on Paper.
Size: 70 W x 100 H cm
The story of this work-
Harrison is painting behind the middle room door. It’s got very textural blue, yellow and white leaves on the bottom. But they’re starting to come off. He’s starting to take them off with a palette knife in frustration. Some of the paint is falling on the floor. I'm trying to help pick it up. N is here. She’s telling me about uni and where she’s been since. She’s visited a local furniture shop. She doesn’t have any idea what we’re doing but loves it. There’s large shadows outside the window like huge legs walking by. Harrison realises he needs the shadow for his painting and we’re looking for things to block out the light. N goes out the front and is getting 4 large cardboard sheets from the neighbour who was about to put them in his van. We’re impressed with her intuitiveness.
Signed on the back.
Acid-free 400gsm paper. It is made from high-grade cellulose and is wood free. This paper is acid-free, with archival permanence.
Securely Shipped.
All shipping is tracked and insured.
Night Time Firework Fingers
Oil & Oil Pastel on Canvas.
Size: 122 W x 81 H cm
Signed on the back.
Stretcher included.
Securely Shipped.
All shipping is tracked and insured.
Rear View Horse
Oil & Oil Pastel on Canvas.
Size: 50 W x 81 H cm
Signed on the back.
Stretcher included.
Securely Shipped.
All shipping is tracked and insured.
Swinging a Concrete Pillow
Oil & Oil Pastel on Paper.
Size: 70 W x 100 H cm
The story of this work-
We were installing pipes on the ceiling to hold wires for flying tiny aeroplanes. We were finished for the day and started to take them down, excited about what we were doing. First the end of the pipe is removed then two propellers extend out. I shout to the other guy that we should install magnetic panels on the ceiling that we attach the pipes to. In one of the pipes a wasp is hiding, I tell him to watch out and not get stung. Alex says he knows how to deal with them. He picks it from the middle with his long nails, carries it to the couch and pinching his nails together, slices it in half. There’s another one starting to buzz around. I quickly reach for a pillow which is so heavy it feels like it’s made from concrete, swing it above his head and hit the wasp.
Signed on the back.
Acid-free 400gsm paper. It is made from high-grade cellulose and is wood free. This paper is acid-free, with archival permanence.
Securely Shipped.
All shipping is tracked and insured.
Rear View Horse
Oil & Oil Pastel on Canvas.
Size: 61 W x 83.5 H cm
Signed on the back.
Stretcher included.
Securely Shipped.
All shipping is tracked and insured.
‘What Stayed Became Paint’
Thank you to everyone who has purchased a copy, they have now sold out and only the few B-stock remain. These have minor cover imperfections, please see the below listing. I currently have no plans to reprint but may do in the future. Contact me with your interest and keep up to date through my Instagram or email list (sign up below).
Thank you.
These 5 B Stock books were received damaged from the printers. The internal pages are perfect and only show imperfections on the covers.
Please see the photos for corresponding option letter, bottom of the images - A / B / C / D / E
A - Dinted on the edge, small hole back spine
B - Corner wear
C - Small tear on the spine front
D - Small hole tear on the front spine
E - Marks that have worn a small part of the cover page
What intrigues me most is the unknown. The space between the “Physical” and the “Non Physical”, the “Internal” and the “External”, their places of crossing and all the other analogies of separation of two places, that may not be separate at all.
The works in this book are explorations of my experiences from these undefined spaces. Dreams have been the most common source which are thrown upon me with regular recurring ease. Others have been born from what may be described as “Apparitions” or “Visions”, blurring and merging boundaries of “Eyes Open” and “Eyes Closed” time.
I began taking note of my dreams around 2013, but it wasn’t until 2021 that journaling became an almost daily routine. I don’t catch them all, sometimes they slip away, maybe returning as a whisper. What stayed with me, became paint.
This Hardcover book features 100 of my dream paintings and their accompanying stories over 224 pages. Beginning with an introduction about these works, my process and current thoughts on painting. I further explore specific elements throughout the book, for example, “Reflections in my Paintings”.
The paintings are shown in vibrant detail on 150gsm gloss paper. At 216 mm x 279 mm it is a beautiful display / coffee table book.